Diana Markosian’s “Father”, presented by Aperture, has settled within me like a quiet ache, a profound meditation on the fractured landscape of family, the enduring weight of loss, and the fragile, often stumbling journey towards reconnection. I spent a good portion of yesterday afternoon with it, the spring sunshine warming my back as my wife…
Photography, since its emergence, has served myriad purposes, capturing likenesses, chronicling conflicts, and aiding scientific inquiry. Yet, from the late 19th century onwards, a distinct and vital role began to solidify that of the social document. As the world underwent profound shifts driven by rapid industrialisation and burgeoning urban centres, a new breed of photographer…
East St Clement’s Church. The name itself has a familiar ring, another steadfast landmark woven into the rich tapestry of Aberdeen’s history. Like St Fittick’s, it’s a place I’ve driven past countless times taking the family to codnas or cinema, a fleeting presence on the periphery of my daily routes. Nestled within the unique community…
Every once in a while, a book comes along that isn’t just a collection of images but an experience in itself. Sticks by Patrick Dougherty and James Florio is one of those books. A massive, heavy tome with a presence as striking as the sculptures it documents. The hardcover alone feels monumental, solid, weighty, the…
Picking up Outdoor Photography issue 316, I wasn’t just looking for beautiful images, I was searching for stories, for deeper emotional connections, for the kind of photography that lingers in your mind long after you close the magazine. What I found was a collection of photographers who, in their own ways, are all striving to…
St Fittick’s Church is the kind of place that lingers in the background of your mind, a half-forgotten relic standing quiet in a field in Torry near the golf course and new harbour, caught between the past and the slow creep of Aberdeen’s industrial sprawl. It’s been there for centuries, weathered by time, its stone…
There’s a quiet ache in standing before a scene, camera in hand, poised to capture something meaningful, and feeling absolutely nothing. It’s not just a lack of inspiration; it’s a wall of frustration, a maddening blindness that keeps me from seeing. The grey streets of Aberdeen stretch out before me, chipped mugs clutter my kitchen…
Conflict photography has played a crucial role in shaping public perception of war, serving as a visual record of historical events and influencing attitudes towards conflict. In the mid-19th century, as photographic technology advanced, early war photographers took on the challenging task of documenting the battlefield. These pioneering efforts paved the way for modern photojournalism…
Reaching its 300th issue, Black + White Photography magazine stands as a quiet giant in the monochrome world, a testament to its staying power when colour-soaked Instagram feeds dominate our screens. This milestone edition, brimming with evocative features, soulful interviews, and a gallery of jaw-dropping images, reminds me why black and white still cuts through…
Before going any further, I want to make one thing absolutely clear, this is NOT an advert or a paid post. It has NOTHING to do with sponsorships or promotions. I simply want to highlight independent photography shops and the fantastic work they do. Whenever we have the chance, we should support them.