Category: Review
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There’s a certain magic to flipping through the pages of a well-curated photography magazine. It’s not just about the stunning images, though they are certainly the hook; it’s about the deep dives into the artist’s philosophy, the technical insights that spark new ideas, and the sense of connection to a vibrant community of passionate individuals.…
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The journey into Riverland began during a period of intense personal turmoil for Martinot, a Dutch photographer and mother of six. Amidst the global shadows of the Covid pandemic and her own crossroads, she found herself seeking solace in the rhythmic, calming presence of nature. Each evening, a ritual began, a walk to a nearby…
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There’s a certain comfort, a familiar embrace, in the world rendered without colour. Perhaps it’s the way it strips away the superfluous, forcing the eye to engage with form, texture, and the subtle dance of light and shadow in its purest form. For me, black and white photography has always been a foundational love, a…
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Reuben Radding’s “Heavenly Arms,” published by Red Hook Editions, is a book that resists easy categorization. It’s a collection born from a decade of wandering city streets, a search for what Radding calls “the musicality of American life, the scent of human connection and conflict.” And in its sprawling, often enigmatic tapestry of images, it…
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Diana Markosian’s “Father”, presented by Aperture, has settled within me like a quiet ache, a profound meditation on the fractured landscape of family, the enduring weight of loss, and the fragile, often stumbling journey towards reconnection. I spent a good portion of yesterday afternoon with it, the spring sunshine warming my back as my wife…
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Fred Ritchin’s “The Synthetic Eye: Photography Transformed in the Age of AI” is, without a doubt, a fascinating and deeply unsettling read. As a photographer and artist (no laughing), I find myself grappling with the very questions Ritchin poses, particularly as someone who holds a deep-seated suspicion of AI’s ability to create lifelike images. My…
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Lukas Felzmann’s Across Ground, a two-volume stunner from Lars Müller Publishers, isn’t the kind of photobook you just flip through in a fifteen minute sit down like some. It asks you to slow down, breathe, and properly look. It’s an antidote to the noise of modern life, a reminder to appreciate the quiet poetry tucked…
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Every once in a while, a book comes along that isn’t just a collection of images but an experience in itself. Sticks by Patrick Dougherty and James Florio is one of those books. A massive, heavy tome with a presence as striking as the sculptures it documents. The hardcover alone feels monumental, solid, weighty, the…
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Picking up Outdoor Photography issue 316, I wasn’t just looking for beautiful images, I was searching for stories, for deeper emotional connections, for the kind of photography that lingers in your mind long after you close the magazine. What I found was a collection of photographers who, in their own ways, are all striving to…
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Diving into Ray’s a Laugh: A Reader, edited by Liz Jobey, feels like peeling back the many layers of an extraordinary work that continues to provoke, challenge, and captivate nearly 30 years after its original release. In preparation, I finally read Richard Billingham’s Ray’s a Laugh itself, an oversight I can’t believe I’d let linger…